On the other hand, playing a chord on a piano accordion requires the same form and technique employed by a pianist. NB this is the same technique which allows an extra part to be heard as different in the right hand. Peter Michael Haas hat nach seinen erfolgreichen Akkordeonschulen (“Spiel Akkordeon” (AMA Nr. Beware of putting increases in volume right at the end of your chords if you can manage. Thanks – yes I will try to get round to a diagram for minor scales soon! (I shouldn't tell you this!). The 12 bass piano accordion is an excellent model for children to start with if they are interested in playing the instrument. Accordion Chromatic Bass Video . Clearly, that’s not the case, but it’s a source of confusion that was resolved for me when someone said “the bass buttons are all in the same octave.”. We might as well get this over with now. I will give you some written music first but for non readers after there will be a very full alternative explanation you ahouls be able to understand, To describe these alternatives let me use the terms N for bass note and K for chords (Kords!) Your instrutions are superb. I would suggest these points, after making sure you were not using obviously unbalanced sounds like a full bass with a single reed or middle tremolo treble sound. But this would have made for a more complicated score in appearance and to write out in Sibelius!Modifying the timing of the melody like this is a nice way also to make a more free less regimented effect, even when otherwise playing in perfect time.Later on I also suggested the full “normal” pattern of Bass Chord Chord with the words Sorry We Drifted Apart to strengthen that part of the tune and avoid over repetition of the “Clever” bit. Product page Thomann Only Special Instrument Microphones of Thomann . Above you can see the layout for a 72 bass Stradella (that's what it's called) layout. The notes on the 3rd an 4th beat can be varied, in reverse order or perhaps from the counterbass to the alternte bass (E to G with a C Chord). Available immediately . It has for example been stated that Some accordions choose their bass notes from C to B and exceptionally some, such as my Victoria put the break from A to G#. (so 5 is on F, 3 is on G and 2 is on D). I started using only 3 fingers and I am still lazy about using my little finger – but getting that little finger working well helps in all sorts of situations. You may vary the pattern by cutting to a couple or more of bass notes instead of the existing pattern.Most easily and obviously you may use the major third from the highly available counterbass row or more subtly choose the note a tone below or above your key chord note. This is particularly the case if you are perceived to have done something rather clever! Hi, Thanks for your intersting comments. Still I have a question about your first CMaj diagram. IF ONE PITCH DROPPED BACK THE OTHER KEPT CLIMBING! You can make a rhythm pattern instantly blend into the overall sound and avoid distracting from full bar or longer melody notes by reducing bellows pressure. For example in, N K K joining the first and second beats N-K N-K , (I have used a hyphen there to indicate legato smoothing to the next note - you might even overlap them slightly, it will add a lot of tone to your sound and sound nice too), Here are just some more variations for waltz time which include some with helpful lively quavers (eighth notes) indicated by being typed closer together, N   K   N  is Good for linking on to the next phrase of melody (as in a fourth or eighth bar) The second N willl be a different note than the first, most probably the dominant (the button above in the same row, suc as G for a C chord). Do not be afraid to add a triplet link in a rhythm where it is not standard. Rod's Main Site. And what can I do to replace it if I’m learning some base tunes which requires a B or B chords? (G major with an E bass gives Em7). Where possible (except on the first beat of the bar) leave the bass out when the melody is playing in fast notes. You can do the same permitted repition of course in another line of the tune or a different part of the composition. https://en.wikipedia.org/wiki/Shepard_tone. 2. The fourth time it is downright annoying. 3) Use different buttons. Your knuckles should be in a vertical line – its easy to let your hand twist making the A hard to reach. A long bass chord WITHOUT a bass note sounds lighter. Tapering volume on the chord is good if you have time for it and it does not interfere with other parts of the music. This gives a very good flowing effect. 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